Vampire Fashion Updates From New Moon Posters
I know that a lot of Twilight die-hard fans are craving for some of the latest fashion updates for the upcoming movie Twilight Saga: New Moon. To satisfy your hunger, I present to you some of the newest New Moon posters from Just Jared. Let your eyes feasts on Robert Pattinson's vampire fashion styles together with the rest of the gang.
Ashley Tisdale Wears the Latest Fashion Trends in Puerco Espin Campaign Ads
Ashley Tisdale had some new campaign ads for Puerco Espin Fall 2009 catalog. Checkout some of her new looks that sported a fashionable, romantic, casual and refined chic.
Source: JustJared Jr.
Source: JustJared Jr.
Alexander McQueen Fall/Winter 2009-2010
I love the new campaign ads of Alexander McQueen Fall/Winter Collection. They are so bold and colorful. Models posed against the Halloween background too. Photographed by David Burton.
Source
London Fashion Week Spring/Summer 2010 Highlights
Check out the runway highlights from Burberry, Peter Pilotto, Roksanda Ilincic and Basso & Brooke during the London Fashion Week Spring/Summer 2010 last week.
Burberry
The Burberry show in London was flooded by celebrities like Emma Watson, Victoria Beckham, Liv Tyler and Freida Pinto. Burberry's collection for next year's spring and summer season was consist of nude palette. The pieces came in pale hues of pink, grey, blue and lemon yellow. Models walked in the runway with ruffles, body-hugging drapes and frills, skirts and tops that are accessorized by skinny leather belts.
Roksanda Ilincic
Roksanda's collection was comprise of silk fabrics in nude, bronze, turquoise and black colors. You will also see double breasted trenches with bold shoulders, wide pants and maxiskirts.
Peter Pilotto
Sun-bleached fabrics were dominant in Peter Pilotto's collection that ranges from grey to blue to yellow and green colors. Bold shoulders, asymmetric frocks and fold-over skirts paraded the catwalk.
Basso & Brooke
Basso & Brooke's creations were full of colorful prints. Models wore sexy dresses and minidresses that made them look more sassy.
Source: Instyle UK
Burberry
The Burberry show in London was flooded by celebrities like Emma Watson, Victoria Beckham, Liv Tyler and Freida Pinto. Burberry's collection for next year's spring and summer season was consist of nude palette. The pieces came in pale hues of pink, grey, blue and lemon yellow. Models walked in the runway with ruffles, body-hugging drapes and frills, skirts and tops that are accessorized by skinny leather belts.
Roksanda Ilincic
Roksanda's collection was comprise of silk fabrics in nude, bronze, turquoise and black colors. You will also see double breasted trenches with bold shoulders, wide pants and maxiskirts.
Peter Pilotto
Sun-bleached fabrics were dominant in Peter Pilotto's collection that ranges from grey to blue to yellow and green colors. Bold shoulders, asymmetric frocks and fold-over skirts paraded the catwalk.
Basso & Brooke
Basso & Brooke's creations were full of colorful prints. Models wore sexy dresses and minidresses that made them look more sassy.
Source: Instyle UK
Dolls Replaced Michelle Obama, Jackie O and Carla Bruni in Harper's Bazaar Japan
However, when you go through the pages of the said magazine, you'll be surprised to see that the First Ladies had been replaced by dolls. The dolls posed in different presidential events.
Photo Source
Tribute To Fashion by Coca Cola Lights
Checkout the creations of your favorite designers like Fendi, Missoni, Moschino and Versace!
Alberta Ferretti (left), Missoni (middle) and Marni (right)
Blumarine (left) and Etro (right)
Moschino
Versace
Blumarine
Missoni
All That Jazz Singer
Some screenshots courtesy moviepro.net
I am absolutely powerless to stop myself from what I’m about to declare to the blogosphere. The movie “The Jazz Singer” is a classic.
Sure, you’re probably thinking…you mean the famous 1927 film, one of the world’s first “talkie” motion pictures, where Al Jolston sports blackface and croons “Mammy”?
Nope. I’m talking the 1980 version starring Neil Diamond. Yes, I said the 1980 version with Neil Diamond.
Yes, I do realize that this is a movie that was unapologetically panned. Among the many bullets it took, it was the first to ever win a “Razzie” award (Diamond himself won one for Worst Actor.) In his mean spirited review, Roger Ebert said, “there are so many things wrong with this movie that it threatens to become a list” and claimed that Diamond was too old for the part (Ebert for some odd delusional reason believed that he was supposed to be portraying an adolescent, not an adult man in his late 30s who was finally fulfilling one of his life dreams.) There’s at least one clip on YouTube that I know of that was posted for the sole purpose of poking fun at the film and collecting nasty comments. Even costar Lawrence Olivier was rumored to have disliked the film so much he refused to see it, called it a “piece of shit”, and was overheard at a restaurant spewing diatribe about the director, which was picked up by the tabloids (he subsequently wrote a long apology to co-director Richard Fleischer.)
To which I all say poppycock. This movie is a delight, and is certainly much better than many other films that starred a well-known singer (Madonna’s “Shanghai Surprise”, Phil Collins’ “Buster”, Prince’s “Under the Cherry Moon” and most of Elvis’ movies come to mind.) I should point out that I’ve never seen the Jolston original or the peculiar 1952 version that starred Danny Thomas and Peggy Lee. I’ve also only seen clips of the 1959 TV movie version starring Jerry Lewis, so I can’t compare it to any of these previous films, but Ebert can go stuff his mouth with jujus for all I care. In fact, I loved this film so much I watched it two nights in a row.
Diamond defended the movie, saying that the story of a man caught between following his dreams and obeying the wishes of his traditional father resonated with him. He stars as a Jewish cantor with the unfortunate name of Yussel Rabinovich (his stage name is the much more palatable Jess Robin.) Jess is married to his childhood sweetheart and sings in the synagogue to please his old school father, played by Lawrence Olivier. Unbeknownst to dear old dad, Jess has been writing music for some time for an African-American group that he is friends with, and one night he is talked into filling in and performing for a missing member, as long as he disguises himself as black.
Yes, Diamond does appear in blackface – albeit very briefly. He looks so ridiculous trying to pass himself off as African American that you can’t help but laugh. It isn’t lost on the audience, either – when a guy finally notices that he’s really white, all hell breaks loose and the quartet ends up in the clink. When Jess’ father comes to bail them out, he peers at Jess through his Coke-bottle glasses and asks, “It isn’t hard enough being a Jew?”
Jess is pretty much stuck in a stale marriage to Rivka (also known as Rivie), who we later learn has known Jess since childhood. They have little in common – Rivie thinks that being married to a cantor is the greatest thing since sliced bread, loves moping about in clothes that look like they came from Dustin Hoffman’s “Tootsie” wardrobe, and wants very little to do with Jess’ aspiring musical career. Jess gets a phone call from Bubba, a member of his musical group, who is now in L.A. Bubba has given a tape of Jess’ recordings to a man in the music industry, and a rock singer is now interested in recording a version of Jess’ song “Love on the Rocks.” He tries to talk Rivka into coming along, but she stubbornly refuses.
It’s while in L.A. that Jess’ whole life changes – he meets the spunky Molly, (played by Lucie Arnaz, Lucille Ball’s daughter) who becomes his manager and pulls strings that help his star on its ascent into showbiz fame. She also becomes his girlfriend after Rivka finally comes for a visit and despite watching Jess wow a large audience, decides being married to a music man is just not for her – unless he’s a cantor in a Brooklyn synagogue.
At this point I don’t want to give anything else away, although the movie’s plot is certainly predictable. It's not a perfect film by any means, and even I will admit some scenes are too melodramatic, such as when Lawrence Olivier is in such anguish over Jess' new life, he rips his shirt (well, if I were alone with Neil Diamond, I'd rip my shirt, too.) You have to remember, however, that the movie was made in 1980 – a time when most mainstream films didn’t splatter us with the “f” word and heavy nudity, so yes, there are some delightfully corny parts. One of my favorite moments is a cute montage showing Jess and Molly’s budding romance – a walk arm in arm along the beach, Molly mistakenly serving Jess a ham (a big no no!), them collaborating and making funny faces in the studio, and a ride on a tandem bicycle. The cynics on YouTube, of course, have posted it to poke fun out of this piece of early 80s cheese. I happened to find the sequence quite sweet.
But then again, I’m a Neil Diamond fan, and if you like the man and his music, then you will love this movie. Diamond wrote all of the music (except for the traditional Jewish songs, of course) that he performs in the film. The movie’s soundtrack sparked a few hits – “Hello Again”, “Love on the Rocks” and the “America.” The other songs are probably not among his strongest compositions, but they’re certainly enjoyable for fans: “Summerlove”, “Hey Louise”, “Songs of Life”, “Jerusalem”, and “You Baby!” If you are a fan, then the triumphant ending – with Diamond performing “America” in all his blinding blue and white sequened splendor – will make you want to get up and dance!
Despite the flak the movie took, it actually earned more at the box office than several other movies that went on to Oscar nominations, including “Raging Bull”, “The Elephant Man”, and “Tess.” The song "Love on the Rocks" was nominated that year at the Academy Awards for Best Original Song, but it lost to "Fame." For the life of me I can't figure out why the brilliant "America" wasn't nominated instead.
Sometimes, however, moviegoers don’t want heavy downer dramas or thought provoking films that present a moral lesson. Sometimes we just want to be entertained, and “The Jazz Singer” certainly did that for me. A nice story, good music, a happy ending…and Neil Diamond – what more could you ask for?
I am absolutely powerless to stop myself from what I’m about to declare to the blogosphere. The movie “The Jazz Singer” is a classic.
Sure, you’re probably thinking…you mean the famous 1927 film, one of the world’s first “talkie” motion pictures, where Al Jolston sports blackface and croons “Mammy”?
Nope. I’m talking the 1980 version starring Neil Diamond. Yes, I said the 1980 version with Neil Diamond.
Yes, I do realize that this is a movie that was unapologetically panned. Among the many bullets it took, it was the first to ever win a “Razzie” award (Diamond himself won one for Worst Actor.) In his mean spirited review, Roger Ebert said, “there are so many things wrong with this movie that it threatens to become a list” and claimed that Diamond was too old for the part (Ebert for some odd delusional reason believed that he was supposed to be portraying an adolescent, not an adult man in his late 30s who was finally fulfilling one of his life dreams.) There’s at least one clip on YouTube that I know of that was posted for the sole purpose of poking fun at the film and collecting nasty comments. Even costar Lawrence Olivier was rumored to have disliked the film so much he refused to see it, called it a “piece of shit”, and was overheard at a restaurant spewing diatribe about the director, which was picked up by the tabloids (he subsequently wrote a long apology to co-director Richard Fleischer.)
To which I all say poppycock. This movie is a delight, and is certainly much better than many other films that starred a well-known singer (Madonna’s “Shanghai Surprise”, Phil Collins’ “Buster”, Prince’s “Under the Cherry Moon” and most of Elvis’ movies come to mind.) I should point out that I’ve never seen the Jolston original or the peculiar 1952 version that starred Danny Thomas and Peggy Lee. I’ve also only seen clips of the 1959 TV movie version starring Jerry Lewis, so I can’t compare it to any of these previous films, but Ebert can go stuff his mouth with jujus for all I care. In fact, I loved this film so much I watched it two nights in a row.
Diamond defended the movie, saying that the story of a man caught between following his dreams and obeying the wishes of his traditional father resonated with him. He stars as a Jewish cantor with the unfortunate name of Yussel Rabinovich (his stage name is the much more palatable Jess Robin.) Jess is married to his childhood sweetheart and sings in the synagogue to please his old school father, played by Lawrence Olivier. Unbeknownst to dear old dad, Jess has been writing music for some time for an African-American group that he is friends with, and one night he is talked into filling in and performing for a missing member, as long as he disguises himself as black.
Yes, Diamond does appear in blackface – albeit very briefly. He looks so ridiculous trying to pass himself off as African American that you can’t help but laugh. It isn’t lost on the audience, either – when a guy finally notices that he’s really white, all hell breaks loose and the quartet ends up in the clink. When Jess’ father comes to bail them out, he peers at Jess through his Coke-bottle glasses and asks, “It isn’t hard enough being a Jew?”
Jess is pretty much stuck in a stale marriage to Rivka (also known as Rivie), who we later learn has known Jess since childhood. They have little in common – Rivie thinks that being married to a cantor is the greatest thing since sliced bread, loves moping about in clothes that look like they came from Dustin Hoffman’s “Tootsie” wardrobe, and wants very little to do with Jess’ aspiring musical career. Jess gets a phone call from Bubba, a member of his musical group, who is now in L.A. Bubba has given a tape of Jess’ recordings to a man in the music industry, and a rock singer is now interested in recording a version of Jess’ song “Love on the Rocks.” He tries to talk Rivka into coming along, but she stubbornly refuses.
It’s while in L.A. that Jess’ whole life changes – he meets the spunky Molly, (played by Lucie Arnaz, Lucille Ball’s daughter) who becomes his manager and pulls strings that help his star on its ascent into showbiz fame. She also becomes his girlfriend after Rivka finally comes for a visit and despite watching Jess wow a large audience, decides being married to a music man is just not for her – unless he’s a cantor in a Brooklyn synagogue.
At this point I don’t want to give anything else away, although the movie’s plot is certainly predictable. It's not a perfect film by any means, and even I will admit some scenes are too melodramatic, such as when Lawrence Olivier is in such anguish over Jess' new life, he rips his shirt (well, if I were alone with Neil Diamond, I'd rip my shirt, too.) You have to remember, however, that the movie was made in 1980 – a time when most mainstream films didn’t splatter us with the “f” word and heavy nudity, so yes, there are some delightfully corny parts. One of my favorite moments is a cute montage showing Jess and Molly’s budding romance – a walk arm in arm along the beach, Molly mistakenly serving Jess a ham (a big no no!), them collaborating and making funny faces in the studio, and a ride on a tandem bicycle. The cynics on YouTube, of course, have posted it to poke fun out of this piece of early 80s cheese. I happened to find the sequence quite sweet.
But then again, I’m a Neil Diamond fan, and if you like the man and his music, then you will love this movie. Diamond wrote all of the music (except for the traditional Jewish songs, of course) that he performs in the film. The movie’s soundtrack sparked a few hits – “Hello Again”, “Love on the Rocks” and the “America.” The other songs are probably not among his strongest compositions, but they’re certainly enjoyable for fans: “Summerlove”, “Hey Louise”, “Songs of Life”, “Jerusalem”, and “You Baby!” If you are a fan, then the triumphant ending – with Diamond performing “America” in all his blinding blue and white sequened splendor – will make you want to get up and dance!
Despite the flak the movie took, it actually earned more at the box office than several other movies that went on to Oscar nominations, including “Raging Bull”, “The Elephant Man”, and “Tess.” The song "Love on the Rocks" was nominated that year at the Academy Awards for Best Original Song, but it lost to "Fame." For the life of me I can't figure out why the brilliant "America" wasn't nominated instead.
Sometimes, however, moviegoers don’t want heavy downer dramas or thought provoking films that present a moral lesson. Sometimes we just want to be entertained, and “The Jazz Singer” certainly did that for me. A nice story, good music, a happy ending…and Neil Diamond – what more could you ask for?
Daily Fashion Links: Shoes News!
Jimmy Choo's Collection for H&M
Everyone have been anticipating Jimmy Choo's Collection for H&M which will be sold on Nov. 14. The collection is composed of men's and women's clothes, shoes, bags, and accessories. Have a sneak peek of his suede dress and shiny accessories as well as his look book.
Salvatore Ferragamo for Breast Cancer Research
Salvatore Ferragamo has teamed up with Breast Cancer Foundation in launching Salvatore Ferragamo Pink Collection. The Pink Collection includes Varina ballerina shoe, accessories, sunglasses, and tees. Ten percent of the proceeds from these items will be donated to Breast Cancer Foundation. via Luxury-Insider
Do You Believe in Plagarism?
Plagiarism: such a vulgar word and ambiguous term when we're talking about music, especially 20th century pop. There have been numerous lawsuits against musicians (usually by other musicians or record companies) claiming that they copied a previously released song. Poor George Harrison was accused of (and later fined for) unintentionally copying the melody of The Chiffons' "He's So Fine" in his hit "My Sweet Lord." In this case, I personally don't think the two songs sound alike enough to cry plagiarism. But earlier today, I discovered two songs that have a portion so similar to each other, I had to listen to one several times in disbelief. They are an unlikely couple: Huey Lewis and the News' "Do You Believe in Love" and Electric Light Orchestra's "Sweet Talking Woman."
First of all, I want to make it clear that I love Huey Lewis and the News, and I'm in no way accusing them of plagiarism. But my discovery is kind of ironic considering Lewis sued Ray Parker Jr. over his 1984 "Ghostbusters" theme, claiming that it sounded very similar to the News' "I Want a New Drug." The case was settled out of court, but according to Wikipedia, Parker later sued Lewis for talking about the case on a VH-1: Behind the Music special.
So here's what I noticed...here are the opening lines in ELO's Sweet Talking Woman (which was released in 1977):
"I was searchin searchin on a one-way street,
I was hopin hopin for a chance to meet."
And here are the opening lines to Lewis' Do You Believe in Love (released in the early 80s):
"I was walking down a one way street
Just a looking for someone to meet."
Yeah, I know lyrics don't mean much; however, the melody and notes during this portion of the ELO song is clearly the same as Lewis' song. I mean, they're eerily similar. Here are some YouTube clips if you want to listen and compare them:
Let me know what you think - is it just me...or just a coincidence?
The Unhappy Disco Brother
Normally a garish album cover like this would make a great candidate for my Bad Cover Art of the Day feature. However, I actually think it's a stupendous cover thanks to the gentleman in the front row who has his arms crossed and is not even looking at the camera. The scene reminds me of those professional family photos where one kid decides no one can make him participate. Clearly, this guy is having one bad day...or he really has his panties in a huge wad over having to wear a yellow striped jumpsuit. Why so glum, brother? You know Neil Diamond would've been rocking that outfit.
Heatwave, by the way, was a 70s disco/funk band that had a top ten hit with "Boogie Nights."
Heatwave, by the way, was a 70s disco/funk band that had a top ten hit with "Boogie Nights."
Emmy Awards 2009 Red Carpet Fashion And Winners List
The stars have descended from their throne to attend the 2009 Emmy Awards last Sunday. Find out who was the brightest of them all?
Left: Blake Lively in Versace
Right: Leighton Meester in Bottega Veneta
Left: Drew Barrymore in Monique Lhuillier
Right: Sandra Oh in Marchesa
Left: Olivia Wilde in Marchesa
Right: January Jones in Versace
Left: Rose Byrne in Valentino
Right: Giuliana Rancic in Gustavo Cadile
Left: Christina Hendricks in L'Wren Scott
Right: Jennifer Carpenter in Zuhair Murad
List of Winners:
COMEDY SERIES - 30 Rock
DRAMA SERIES - Mad Men
MINISERIES - Little Dorrit
ACTOR IN A COMEDY - Alec Baldwin, 30 Rock
ACTOR IN A DRAMA - Bryan Cranston, Breaking Bad
ACTRESS IN A COMEDY - Toni Collette, United States of Tara
ACTRESS IN A DRAMA - Glenn Close, Damages
MADE FOR TELEVISION MOVIE - Grey Gardens
REALITY HOST - Jeff Probst, Survivor
REALITY COMPETITION PROGRAM - The Amazing Race
ACTOR IN A MINISERIES OR MOVIE - Brendan Gleeson, Into The Storm
ACTRESS IN A MINISERIES OR MOVIE - Jessica Lange, Grey Gardens
SUPPORTING ACTOR IN A COMEDY - Jon Cryer, Two and a Half Men
SUPPORTING ACTOR IN A DRAMA - Michael Emerson, Lost
SUPPORTING ACTOR IN A MINISERIES OR MOVIE - Ken Howard, Grey Gardens
SUPPORTING ACTRESS IN A COMEDY - Kristin Chenoweth, Pushing Daisies
SUPPORTING ACTRESS IN A DRAMA - Cherry Jones, 24
SUPPORTING ACTRESS IN A MINISERIES OR MOVIE - Shohreh Aghdashloo, House Of Saddam
WRITING FOR A COMEDY - 30 Rock ("Reunion," Matt Hubbard)
WRITING FOR A DRAMA - Mad Men ("Meditations in an Emergency," Kater Gordon, Matthew Weiner)
WRITING FOR A VARIETY, MUSICAL OR COMEDY SERIES - The Daily Show With Jon Stewart (Steve Bodow, Jon Stewart, David Javerbaum, Josh Lieb, Rory Albanese, Kevin Bleyer, Jason Ross, Tim Carvell, John Oliver, Sam Means, Rob Kutner, J.R. Havlan, Rich Blomquist, Wyatt Cenac, Elliott Kalan, Rachel Axler)
WRITING FOR A MINISERIES, MOVIE, OR DRAMATIC SPECIAL - Little Dorrit (Andrew Davies)
DIRECTING FOR A COMEDY SERIES - The Office ("Stress Relief," Jeff Blitz)
DIRECTING FOR A MINISERIES, MOVIE, OR DRAMATIC SPECIAL - Little Dorrit (Dearbhla Walsh)
DIRECTING FOR A VARIETY, MUSIC, OR COMEDY SERIES - American Idol ("The Final Three," Bruce Gowers)
ORIGINAL MUSIC AND LYRICS - 81st Annual Academy Awards" ("Hugh Jackman Opening Number")
VARIETY, MUSIC, OR COMEDY SERIES - The Daily Show With Jon Stewart
DIRECTING FOR A DRAMA SERIES - ER ("And in The End," Rod Holcomb)
Photo Sources: zimbio and justjared
Left: Blake Lively in Versace
Right: Leighton Meester in Bottega Veneta
Left: Drew Barrymore in Monique Lhuillier
Right: Sandra Oh in Marchesa
Left: Olivia Wilde in Marchesa
Right: January Jones in Versace
Left: Rose Byrne in Valentino
Right: Giuliana Rancic in Gustavo Cadile
Left: Christina Hendricks in L'Wren Scott
Right: Jennifer Carpenter in Zuhair Murad
List of Winners:
COMEDY SERIES - 30 Rock
DRAMA SERIES - Mad Men
MINISERIES - Little Dorrit
ACTOR IN A COMEDY - Alec Baldwin, 30 Rock
ACTOR IN A DRAMA - Bryan Cranston, Breaking Bad
ACTRESS IN A COMEDY - Toni Collette, United States of Tara
ACTRESS IN A DRAMA - Glenn Close, Damages
MADE FOR TELEVISION MOVIE - Grey Gardens
REALITY HOST - Jeff Probst, Survivor
REALITY COMPETITION PROGRAM - The Amazing Race
ACTOR IN A MINISERIES OR MOVIE - Brendan Gleeson, Into The Storm
ACTRESS IN A MINISERIES OR MOVIE - Jessica Lange, Grey Gardens
SUPPORTING ACTOR IN A COMEDY - Jon Cryer, Two and a Half Men
SUPPORTING ACTOR IN A DRAMA - Michael Emerson, Lost
SUPPORTING ACTOR IN A MINISERIES OR MOVIE - Ken Howard, Grey Gardens
SUPPORTING ACTRESS IN A COMEDY - Kristin Chenoweth, Pushing Daisies
SUPPORTING ACTRESS IN A DRAMA - Cherry Jones, 24
SUPPORTING ACTRESS IN A MINISERIES OR MOVIE - Shohreh Aghdashloo, House Of Saddam
WRITING FOR A COMEDY - 30 Rock ("Reunion," Matt Hubbard)
WRITING FOR A DRAMA - Mad Men ("Meditations in an Emergency," Kater Gordon, Matthew Weiner)
WRITING FOR A VARIETY, MUSICAL OR COMEDY SERIES - The Daily Show With Jon Stewart (Steve Bodow, Jon Stewart, David Javerbaum, Josh Lieb, Rory Albanese, Kevin Bleyer, Jason Ross, Tim Carvell, John Oliver, Sam Means, Rob Kutner, J.R. Havlan, Rich Blomquist, Wyatt Cenac, Elliott Kalan, Rachel Axler)
WRITING FOR A MINISERIES, MOVIE, OR DRAMATIC SPECIAL - Little Dorrit (Andrew Davies)
DIRECTING FOR A COMEDY SERIES - The Office ("Stress Relief," Jeff Blitz)
DIRECTING FOR A MINISERIES, MOVIE, OR DRAMATIC SPECIAL - Little Dorrit (Dearbhla Walsh)
DIRECTING FOR A VARIETY, MUSIC, OR COMEDY SERIES - American Idol ("The Final Three," Bruce Gowers)
ORIGINAL MUSIC AND LYRICS - 81st Annual Academy Awards" ("Hugh Jackman Opening Number")
VARIETY, MUSIC, OR COMEDY SERIES - The Daily Show With Jon Stewart
DIRECTING FOR A DRAMA SERIES - ER ("And in The End," Rod Holcomb)
Photo Sources: zimbio and justjared
